many moons

I was not in a colorful mood. So this piece will linger on the boards for a while before I get back to it.

I came back from a number of trips last month with a swarm of images floating through my thoughts but no map to figure out how they go together. It was frustrating to feel so aimless. I looked around at the work that I had done prior to my trips and felt totally disconnected from them.

My friend Jeanne Seagle, a very talented artist here in Memphis said the following in an interview: “Make a lot of work. Put the good stuff in shows. Recognize the bad stuff, and put it in the closet. After a while maybe you can fix it. If not, you can still learn from it what not to do. Just don’t show it.“

After a few days and a number of puzzled thoughts I decided to be radical. I took out all of my older pieces lurking under the studio tables and made some judgements. Some still spoke to me about their intent and focus. Others did not. Some showed a learning curve in the stitching that no longer represents my work. Others were pieces that didn’t get done.

This piece never got done. It was an experiment with geometry and connections.

I chose a few and laid them out on the cutting board for some fun with rotary cutter.

Fun with my rotary cutter. No piece is sacred.

This piece, called Keeping up with the Dow Jones, was done in 2009. I’m over it.

Just that act of cutting up several pieces into 2.5” squares was a release from the aimlessness. I wasn’t sure where I was going to go with it but I knew it was the right step. Catharsis. Resolve…and a little panic.

After some mix and matching, twisting and turning I finally came up with a composition that seemed to hold together. I stitched the squares onto a canvas backing. All 420 of them.

And now the fun begins. My goal as an artist is to channel what is invisible into the visible. The work I do is intuitive and exploratory. I’m never quite sure what will result with a piece like this. I just know that I am channeling lots of different emotions and thoughts. Beauty, complexity, doubt, anger, worry, whimsy, calm and depth. They are all in there. The layering of stitch and fabric brings out the best (and worst) of me.

I’m going to call it Many Moons. Because that’s how long it will take to finish it and because its taken me many moons to get to this stage in my work.