On expectations

Recently my son unearthed my case of Barbie clothes from the attic and brought them to me. I don’t remember playing with this doll. My memories of early adolescence are og building forts and planning getaway destinations.

My Aunt Emmie provided most of the clothing for this doll with her expert knitting. I’m amazed at her skill now though I don’t remember admiring that skill then. We took it for granted. She had a thing for pink.

All the essentials of a 60s girl were there: swimsuit, cocktail dress, wedding dress and housedress. The clothes gave us a map of expectations. I can see by the rat’s nest of hair that dear Barbie went through some tough times. She ditched the three piece red knit outfit for a mini-skirt and tights. I don’t see any professional clothes or workshop gloves. There is no briefcase, no computer. Yet there are two aprons, one practical with a matching chefs hat and one frilly one to greet her husband upon his return home. I do love to cook.

Barbieclothes.jpg

It’s a box of propaganda that made sense to the executives at Mattel at the time. I’ve heard that Barbie has evolved over time with scuba gear, ski togs and business attire. But she was not evolved while I grew up.. We tried on these women’s uniforms to suit society’s norms. We told these stories to each other through dating games, house play and dress-up. We learned how to walk in heels, put on make-up and wish upon a star. There is probably a version of this narrative out there for girls under 16 to this day.

I’m glad I didn’t follow that pathway. I’m glad that I grew up during a time of questioning authority — a time when women fought for equal rights, a time when civil discourse turned to difficult subjects. The subjects are getting even more difficult now. Our planet, our rights, our nations, our health….all at risk.

So when I look at this little box of expectations I am thinking about how we’re still swimming up stream in a one piece suit, constrained by expectations, overruled by rulers. I think we might need to add some armor to the closet. We’ll need resilience and a fierce belief in each other. We’ll need to put on our big girl pants and stand up, move forward and speak out loud.

Now where did I put that rotary cutter?

STITCHED, a celebration of quilting in Memphis, TN

In the past several months I have been actively engaged in planning a festival of quilt art here in Memphis. It has taken more of my attention than I had first assumed. So I haven’t done much work lately. The year of planning is over. The festival opens on May 10.

Nervous? Yes. Have I covered all the bases? Have I welcomed as many people as possible into the circle? Have I achieved the goal of presenting the ART of quilting to Memphis? Soon we shall see. And, though I have some doubts, worries and regrets, I am also very excited, grateful and motivated.

The BLUE show is a regional quilt challenge sponsored by Crosstown Arts. We asked artists, quilters and makers of all sorts to create quilts that are three layers, stitched, 24” x 24” and predominantly blue. Over 180 people responded with 230 quilts.

The BLUE show is a regional quilt challenge sponsored by Crosstown Arts. We asked artists, quilters and makers of all sorts to create quilts that are three layers, stitched, 24” x 24” and predominantly blue. Over 180 people responded with 230 quilts.

One thing I learned this past year? There are lots of people with lots of ideas out there. Our main challenge has been honing in to the ideas that were both doable and unique. So we ended up with these:

  • We have taught children how to quilt.

  • We have invited artists to experiment with the quilt form. The community has contributed over 230 blue quilts to the BLUE show.

  • Local artist, Greely Myatt, is installing three of his metal quilts in the atrium.

  • Masterworks: Abstract and Geometric is coming into Memphis for a period of three months. Martha Sielman will introduce an eager audience to the world of art quilts on May 11.

  • A fiber installation from Pat Pauly, Genesee, is being installed in the next two weeks.

  • The Memphis Area Modern Quilt Guild has donated a beautiful quilt to a local healthcare provider that focuses on people with limited access to health services. They will include it in their annual fund-raising efforts.

  • We have created a video showing quilt stories and quilting techniques.

  • Workshops in May and July will be focused on people who have never quilted before.

  • Local guilds and community members will come together on June 8 to share their quilts at the longest Show-and-Tell in history.

  • And, today, the interactive quilt wall will be installed..

The interactive quilt wall gives people an opportunity to experiment with pattern and color. Each of the 96 squares have magnets on the back of them and can be moved around to create new patterns.

The interactive quilt wall gives people an opportunity to experiment with pattern and color. Each of the 96 squares have magnets on the back of them and can be moved around to create new patterns.

It’s been a year of planning, coercing, nail-biting, sourcing, encouraging and teaching. I had some amazing people helping along the way. And now we open on May 10. Only 18 days away.

Come to Memphis. We are celebrating our bicentennial AND the art of quilting. The Stitched festival opens on May 10 and will continue to July 28. If you are here on June 8 bring a quilt to share with our audience! Good food, good music, good people and good quilts. What could be better?

And then I can go back to work. I miss that work. Everyday.

Stitched: Celebrating the Art of Quilting

About 2 years ago I thought it might be a good idea to organize a quilt festival in Memphis. There are quilt shows in Memphis. They show traditional quilts with exquisite stitching. I love seeing that work.

I had a different idea. I thought I could assemble enough quilters, artists and makers to present quilting as an art form. There are art quilters out there (though not many in Memphis) and there are artists in Memphis (though not too excited about quilting) but I persevered.

The BLUE show will be part of the STITCHED festival opening on May 10 at Crosstown Concourse in Memphis, TN.

Photo: Chad Mellon

Photo: Chad Mellon

Memphis has an incredible new venue. It is a completely renovated warehouse called Crosstown Concourse that stood vacant for almost 20 years. A group of visionaries put together the money and expertise to transform the blighted space into a community of businesses, art galleries, restaurants, shops and a high school. They built a black-box theater, sculpted the parking lots into welcoming community spaces, worked with local stakeholders to build a community and transformed our ideas about what can be possible. All this with the vision of helping to cultivate the creative arts community in Memphis (read their story here). How cool is that?

And now they are hosting Stitched.

Like us on Facebook or follow us on Instagram @stitched2019.

Like us on Facebook or follow us on Instagram @stitched2019.

Stitched includes two quilt shows, Masterworks: Abstract and Geometric from SAQA and the BLUE show, a regional call for entry for quilters, artists and makers. We have planned two community workshops, one focused on children by Amie Plumley and one on community members by Maria Shell. Martha Sielman, author, curator and Executive Director of Studio Art Quilt Associates, Inc. (SAQA)  is coming in for a lecture on May 11. Because of some dedicated and inspiring volunteers students at Crosstown High and elementary students at the Carpenter Art Garden are learning to quilt. And, on June 8 we are hosting the community Show-and-Tell event where anyone can bring a quilt to share on stage with an audience of quilting fans.

Make some plans to get to Memphis this year. From May - July the focus is on the Art of quilting. The azaleas bloom in May and I’d love to show you around.

channeling

Sometimes I have to unsettle the settled patterns of my mind. I start with no ideas, no burning need to communicate. I just have to get out of my head and into my hands. I grab the nearest slab of fabric, stick some batting into the fold and start stitching. Black and white satisfies the need for definition. It forces me to focus. These pieces flush out and flesh out latent anxiety. Perfection isn’t here. Neither is story or parable. It’s just a traveling line.

traveling lines in black on white.

They mean nothing. It’s just a release. I may find a use for them in the future. The dimensions please me.

What fun.