World of Threads festival

The work travels. I pack it up, seal the box and do a little safety dance when I drop it off at the shipping center. It seems odd to part with them for any length of time. But I like the idea that more people will see them. They have a life of their own.

Signals, 37” x 29”, Paula Kovarik

I have six pieces in the World of Threads Festival, a contemporary fibre and textile art exhibit that opens this month in Canada. The festival features 303 artworks by 65 artists from Canada, Denmark, England, Hungary, Netherlands, Northern Ireland, Norway, Russia and the USA. I was chosen as one of the artists with a solo show in the corridor galleries. I won’t be able to attend the opening but I will see the show in November.

Everything I know about this show makes it a must see event. There are major installations, intimate threadwork pieces, cutting edge quilts and other eye-opening fiber works. If you are anywhere near Oakville (a short drive from Toronto) please plan on attending. Click here to learn more about it.

Or choose this link to download a complete brochure.

Opening day: Sat. Oct. 20, 2018 1:00 – 3:30 pm.

World of Threads Festival

Queen Elizabeth Park Community
& Cultural Centre
2302 Bridge Road Oakville, Ontario, Canada.  

Dates: Sat. Oct. 13 - Sun. Nov. 25, 2018
Hours: Mon. – Sat. 10:00 am – 6:00 pm.  Sun. 12:00 – 5:00 pm
Admission: FREE

For an up close and personal look at the pieces shown here go to Oakville. Maybe I’ll see you there in November.

Unglued, 40” x 18”, Paula Kovarik

Focus on Something Else, 32” x 32”, Paula Kovarik

Chaos Ensues, 32” x 32”, Paula Kovarik

October is a busy month

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October is one of my favorite months. And this one is no exception. I can open my studio windows to get an occasional breeze. The gingko trees are about to turn into yellow clouds. And the studio is awash in preparations. It’s a month of anticipation and excitement.

I’m preparing class materials for two workshops at Arrowmont this month. A powerpoint show, class notes, exercise materials and a few surprises. First I’ll be attending a workshop by Beatrice Coron on MASKING AND REVEALING: THE WILD SIDE OF PAPER CUTTING for a week and then I teach my FOLLOW THE THREAD workshop the week after that. Two full weeks in the mountains playing at art. What could be better than that?

 The workshops at Arrowmont allow for everyone to spread out and stretch their creative minds.

The workshops at Arrowmont allow for everyone to spread out and stretch their creative minds.

While I am at Arrowmont The World of Threads Festival, a contemporary fibre and textile art exhibit opens in Canada. It features 303 artworks by 65 artists from Canada, Denmark, England, Hungary, Netherlands, Northern Ireland, Norway, Russia and the USA. I was chosen as one of the artists with a solo show in the corridor galleries. I won’t be able to attend the opening but I will see the show in November.

02-solo-shows-installations-world-of-threads-festival-18-email.jpg

Everything I know about this show makes it a must see event. If you are anywhere near Oakville (a short drive from Toronto) please plan on attending. Click here to learn more about it.

Or choose this link to download a complete brochure.

Opening day: Sat. Oct. 20, 2018 1:00 – 3:30 pm.

World of Threads Festival

Queen Elizabeth Park Community & Cultural Centre
2302 Bridge Road Oakville, Ontario, Canada.  

Dates: Sat. Oct. 13 - Sun. Nov. 25, 2018
Hours: Mon. – Sat. 10:00 am – 6:00 pm.  Sun. 12:00 – 5:00 pm
Admission: FREE

On Collaboration

I went to an artist talk last night that reinforced my ideas about collaboration. He said that if you put a professional engineer and artist in the same room to solve a problem the outcome won’t be the same as having an artist with a pretty good knowledge of engineering figure it out herself.

 Two heads might not be better than one.

Two heads might not be better than one.

Each time I have been involved in a team approach to a design solution I am energized by the discussions, motivated by the goal and hopeful about the outcome. Yet, there are challenges. Every step along the way brings a set of compromises and a new way of looking at those goals and outcomes. Sometimes it works, sometimes it doesn’t.

What have I learned? I prefer doing it all myself.

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I can take the blame, find the alternatives and be responsible for the outcome. I can throw it under the table when it doesn’t work out. I can meet my own timetable. I can re-evaluate without stepping on toes. Not so easy when others are involved.

But this process of locking my doors to others is self-limiting. Pushing away my expectations while entertaining alternative ideas broadens my vision of the end product.

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So I will continue to find ways to play well with others. And collaborate. In events, in art, in thought. Even if it makes my nerves nervier.

The tale of the crankie

It was fate--the day I learned about crankies. Ever since seeing a Red Grooms exhibit at the Brooks Museum in Memphis I have been haunted by the idea of a moving quilt. For those of you who have no idea what I am talking about go to this website for a fun trip through crankie land. So here's the tale of the tape for my crankie, I watch too much tv news.

I watch too much tv news

Here's a video of the scroll in its entirety. Enjoy!