I wrote a book

At Play in the Garden of Stitch

At Play in the Garden of Stitch—thoughts that come while eyeing the needle. 

Published! Available Now.

I put it on paper. It’s now in book form. This is not a quilt.

I spent part of my Covid year writing, analyzing and illustrating my techniques and artwork. After fifteen years of creating and teaching, it was time to tell my story and share my process in a more formal way. 

This is a book of ideas and exercises for those who use stitch in their artwork. What seems like magic are merely (some simple) step-by-step exercises that will lead you to your own creations. 

This is the story of how I work and think as I make new quilts. It contains both successes and failures as both results can lead to finished quilts. One of my favorite exercises is to chop up a finished quilt to re-arrange and re-imagine a new piece working with elements I like and scrapping those I loathe.

As the great Miles Davis says: do not fear mistakes; there are none.
As I like to say: Art is found in the process. And stitching can take you there.

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The book contains lavish illustrations of quilts from my students and myself. For many of these, I demonstrate approaches to using stitch as an element of design and art. To understand my process, I include essays from this journal that reveal how I follow the thread or pursue an idea. 

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Order “At Play” from any number of bookstores including Barnes and NobleTargetIndieboundDiscover books and more—such as Amazon. And, if you do find that this book has inspired you to try some new ways to create in stitch, please let me know by leaving a review or sending me an email. I would really appreciate it.

If you are interested in stitch and how to express yourself through free-motion quilting, this book will lead you gently down your own creative path. The secret is starting simple and staying at it.

I want to send out a bucket of thanks to my friend, Kathleen Loomis, for her help in making this book a reality. Her patient review of the content clarified my thoughts and made it a better book. Thanks so much Kathleen.

Tell me what you think!

On saying yes

I say yes to a lot of opportunities and to myself and to my family and to my friends. Trouble with that is I end up with too much on my plate. When I should be snacking I am gorging. When I should be contemplative I am mumbling deadlines and bifurcating my brain. And yet, as the scorpion said to the frog, it’s just my nature. If I had an empty plate I would scrounge around for something, anything, everything to do.

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Last week started off with this little project. I was both channeling Leo Ray and Jackson Pollock. It started with a piece of canvas on which I dribbled, sprayed and splotched some fabric paint. The idea was I would discover things within the painting that would inspire me to stitch. I would end up with a continuous series of pieces that would fit together like Leo Ray’s continuous paintings.

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I cut the canvas into five square pieces and started to add stitching where they needed stitching. I have been drawing like this for awhile so some of the arbitrary forms that are showing up in my drawings are now showing up in the stitching. I like this technique. It brings mystery into process. It is very loose and intuitive. Jackson Pollock once said “Because a painting has a life of its own, I try to let it live.”

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Here’s a close-up of one of the panels. Each panel measures about 19” square. I like adding texture to pieces using thread that matches the fabric. The other drawing lines are inspired by what I see in the base painting. I added a face, some active lines, some textural backgrounds and some mysterious figurative drawings that came out of a day dream in this one.

Now I am experimenting with the square panels to create 3D shapes. Some look like scrolls, some like the Venus of Willendorf and others like disturbing faces. Not sure where they will end up. For now they are keeping me entertained.

Raw and Reassembled

The wonderful folks at the Visions Art Museum in San Diego have invited me to exhibit July 17 – October 3, 2021. I have been planning, assembling, writing statements, labeling and packing for that show for the past month. There is a lot to do before then. If you are in the San Diego area during that time please take moment or two to see the show. I would love to hear what you think about it.

At Play in the Garden of Stitch –  thoughts that come while eyeing the needle

At Play in the Garden of Stitch –
thoughts that come while eyeing the needle

A book:
At Play in the Garden of Stitch: thoughts that come while eyeing the needle

I’m on the final proofreading stage of a book about my techniques. As soon as it is ready I will post a link here for purchase. It has been a long and arduous journey to get this far with it. And I am proud of the result. I hope you have the opportunity to see it someday soon. Some of you may recognize your own stitching on the cover. They are samples from my workshops.

Spring

The weather is perfect right now and it is sometimes hard to stay in the studio because it is so beautiful outside. I am jealous of every hour away from the studio but, then again, the garden brings me joy and time to think. I’ll say yes to it too.

tell me how you say yes

Squirrel!

You know how mild-mannered dogs quickly become pogo sticks when a squirrel hops by? That’s how I felt this past week. Oooh! look at that! Oh my! Look at this! Squirrel! Bear! Food!

Mozart, Hendrix, Simon, Florence and the Machine. I listened to a music mix on the way home from Arrowmont as a way to mirror what my brain was doing. Mitchell, Dylan, Rice, Morissette, Danny the Dog, Cohen, Young, Chopin, Sieber, Gabriel, Bowie, Einaudi, Glass, Hunger. I am a creature of variety. And surprise. And drama, and delight.

The workshops at Arrowmont give each artist ample space to work and display their stitching.

The workshops at Arrowmont give each artist ample space to work and display their stitching.

Drama and delight. That’s what my students brought to me. Their fearlessness and sense of humor gave us all a chance to laugh, contemplate, and compare our thoughts. The group was as diverse as the music I listened to on the way home.

Thank you, Arrowmont for the opportunity to teach these talented stitchers. And thank you Holly, Sam, Cindy, Jane, Carlie, Martha, Ellen, Katie, Sharon, Linda, Lynn, Claire, Alex, and Holly for sharing your insights, your struggle and your stick-to-it-tive-ness with the class. We filled the walls with inspiration.

Stitching begins with drawing. Not difficult drawing, just simple lines that talk.

Stitching begins with drawing. Not difficult drawing, just simple lines that talk.

Here are some of the experiments we tried this past week.

Davis, Coltrane, Rimsky-Korsakoff, Sinatra, Stones, Hooker, Dead can Dance, Cline, Piaf, Pavarotti, Bono, Morrison, Lamb, Rachmaninoff, Gerrard, Calexico and by all means….Waits.

October is a busy month

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October is one of my favorite months. And this one is no exception. I can open my studio windows to get an occasional breeze. The gingko trees are about to turn into yellow clouds. And the studio is awash in preparations. It’s a month of anticipation and excitement.

I’m preparing class materials for two workshops at Arrowmont this month. A powerpoint show, class notes, exercise materials and a few surprises. First I’ll be attending a workshop by Beatrice Coron on MASKING AND REVEALING: THE WILD SIDE OF PAPER CUTTING for a week and then I teach my FOLLOW THE THREAD workshop the week after that. Two full weeks in the mountains playing at art. What could be better than that?

The workshops at Arrowmont allow for everyone to spread out and stretch their creative minds.

The workshops at Arrowmont allow for everyone to spread out and stretch their creative minds.

While I am at Arrowmont The World of Threads Festival, a contemporary fibre and textile art exhibit opens in Canada. It features 303 artworks by 65 artists from Canada, Denmark, England, Hungary, Netherlands, Northern Ireland, Norway, Russia and the USA. I was chosen as one of the artists with a solo show in the corridor galleries. I won’t be able to attend the opening but I will see the show in November.

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Everything I know about this show makes it a must see event. If you are anywhere near Oakville (a short drive from Toronto) please plan on attending. Click here to learn more about it.

Or choose this link to download a complete brochure.

Opening day: Sat. Oct. 20, 2018 1:00 – 3:30 pm.

World of Threads Festival

Queen Elizabeth Park Community & Cultural Centre
2302 Bridge Road Oakville, Ontario, Canada.  

Dates: Sat. Oct. 13 - Sun. Nov. 25, 2018
Hours: Mon. – Sat. 10:00 am – 6:00 pm.  Sun. 12:00 – 5:00 pm
Admission: FREE

Arrowmont daydreams

I heard from the folks at Arrowmont School of Arts and Crafts yesterday. They let me know that the workshop I am teaching (Follow the Thread) in October is a GO. Reading the email instantly brought up thoughts of those cool mountain nights, the rushing waters of nearby streams, the great fun I had working with my students, and the feeling that there are some positive things happening in the world. 

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Driving into Arrowmont, an oasis of creativity.

Driving into Arrowmont, an oasis of creativity.

I love teaching. Spending some concentrated time with dedicated artists is a gift that keeps on giving. I am inspired, honored and excited to be part of their creative process. When we happen upon little aha! moments during the week there is a real sense of accomplishment. It's a tonic for my soul.

Our workshop from the catwalk above. It's a great space to work in.

Our workshop from the catwalk above. It's a great space to work in.

So today, in 100 and above heat, I am dreaming of Arrowmont in October. It's a daydream of cool optimism. Join us if you can, there is still time to register. I'll be teaching free-motion quilting at its free-est.

Arrowmont School of Arts and Crafts
Gatlinburg, Tennessee
October 21-27