The Grass was Greener

I don't know these women, though they are related to me. The two columns of distance and language prop up our stranger-hood. My grandmother, pictured on the far left, emigrated to the United States from the Czech Republic in the 20s (she always called it Bohemia).

When I added this photograph to my computer library the software tried to identify each of my great aunts and my grandmother. It made me think about my original intentions with this piece.

Babi was an adventurous sort with definite opinions. She would launch into Czech when she wanted to make her point known to my father. He would nod and smile.

I've spent the past couple of months with their images, experimenting with embroidery. My fingers are punctured and calloused, my neck a little stiff, and my eyes a bit fuzzy from the strain of looking at all this detail.

I learned about the right needles to use (very sharp with larger eye), how the fabric reacts to hand stitching as opposed to machine stitching and which thimble I prefer (see below).

I regret not having a fatter batting in the sandwich, I may try wool next time. I tried to use an embroidery hoop but the batting and double layer of fabric was too thick and the frame got in my way. The inset linen frame around the edge was a supreme challenge that taught me a lot about how not to cut 45 degree joins when you have a limited supply of perfectly edged linen. (no need to go into detail, you get my meaning)

My favorite thimble has a silicone bottom and a metal top. The silicone clings nicely to my middle finger. I love that the photo program sees a little being in it.

So, now I am done with these women. They live in my memory as a strong and stalwart group.

I think that they, too, would put a bandaid on before applying the thimble so as to be sure that it stays on.

letting go

Two of my pieces left their spots on my design wall this past week. They travel to new eyes with an invisible thread to my thoughts.

Don't Go in the Basement, 17" x 16.25" ©2015 Paula Kovarik

Don't Go in the Basement was inspired by a drawing by Jeremy. The wide-mouthed, eyes-focused grin monster leaps out and anchors the lower right corner of this small piece. It is one of the first of my children's drawings projects and is dear to my heart. I know the new owner also loves the piece so I am satisfied it is where it belongs.

Move That Thing, 16" x 11.5", ©2015 Paula Kovarik

My friend Etta owns Move That Thing. These quirky, moving-parts bodies remind me to jitter along when I see it. The talented artist, Amelia, drew the wonderful fish-eat-fish pair at the bottom right. And that sun in the upper right is by the ever sunny Derin. These two artists inspire me to let the inner child out every so often.

I will miss these pieces. When people ask me why I make art I often say it is because I have to.
I am eager to create. I also like to show it, share it and let it journey on. This gives it a life of its own.