scrap project starts making sense

 So many scraps, so little time.

So many scraps, so little time.

While working away on assembling hundreds of little scraps of fabric into strips … black then white then black … I finally came to a final composition for the whole. Harkening back to the cigar box project that I did last summer where I wove scraps and threads together to create a flag, I thought I could do the same thing here on a grander scale. The black and white alternating strips work together to communicate a community of immigrants of different nationalities, races and histories. Substituting black for red speaks to the racial divides we are experiencing now and in the past. And, by reversing the strips to the back side the chaotic variety becomes more intriguing.

Yes, I am making the back the front, ragged ends and all.
US flag, Paula Kovarik
 The white fabric on the back allows the pieced fabrics to glow through creating a hazy dimensional surface that is hard to resist. Goodbye batting! It would only get in the way.

The white fabric on the back allows the pieced fabrics to glow through creating a hazy dimensional surface that is hard to resist. Goodbye batting! It would only get in the way.

Taking a cue from Kathleen Loomis who recently completed a piece without batting I decided to shroud the back in a simple white fabric that would let the pieced fabrics simmer through. It seemed a shame to cover them up completely with cotton batting, especially after so much trimming and ironing to make them lay flat. This may have to be a two sided piece. The shrouding is compelling.

And now, to the stitching and finishing. I think I will start with a simple hand stitch down the rows in red, white and blue. Then to the stars and edges.

More later.

 fraying edges, stitching and chaos.

fraying edges, stitching and chaos.